2018-2023 Bachelors of Architecture, Pratt Institute, Brooklyn, New York

Group Exhibitions

2024 October 25 - December 22 He Said She Said, Amos Eno Gallery, virtual exhibition, artsy.net

2024 The Red Show, Galerie Shibumi, New York City, New York

2024 Summer Juried Exhibition, Blue Mountain Gallery, New York City, New York

2024 Artistic Muscles, 440 Gallery, Brooklyn, New York

2023 126th Annual Catharine Lorillard Wolfe Art Club Open Juried Exhibition, the Salmagundi Club, New York City, New York

2023 Alumni Exhibition, Trinity Art Gallery, Dallas, Texas

2018 Advanced Placement, Trinity Art Gallery, Dallas, Texas

2017 National Art Honor Society Juried Exhibition, Dallas, Texas

2017 Young American Talent Juried Exhibition, Dallas, Texas

2016 Young American Talent Juried Exhibition, Dallas, Texas

2015 Art in Architecture Juried Exhibition, Dallas, Texas

Publications

2025 Art Seen, Issue 15, Spring 2025, The Curators Salon, TBA

Awards

2023 Finalist, 126th Annual Catharine Lorillard Wolfe Art Club Open Juried Exhibition, New York City, New York

2023 First Place, Alumni Exhibition, Trinity Art Gallery

2017 Finalist, National Art Honor Society Juried Exhibition

2017 First Place in Printmaking, Young American Talent, Dallas, Texas

2016 First Place in Mixed Media, Young American Talent, Dallas, Texas

2016 Invitation Award, Young American Talent, Dallas, Texas

2015 Best in Show, Art in Architecture, Dallas, Texas

Isabelle is a Brooklyn based artist whose paintings explore the family as a political body, attempting to articulate the experience of living in a panoptic and morally bipolar world as a young woman navigating her own complicated sentiments toward the idea of family. Using her own collection of family photos and nostalgic objects, Isabelle investigates the organic curation of characters and narratives facilitated by photo albums, specifically, which characteristics and achievements are preserved and which are omitted, and how this speaks to the dichotomies of masculinity versus femininity, and parenthood versus childhood. The layering of multiple perspectives and positions communicates how these seemingly contradictory qualities and value systems necessitate each other. Ultimately, her paintings are a kind of psychic self portrait conveying how these images and objects haunt, captivate, and constitute; The act of painting them brings order and narrative to these qualities, memories, and values, both inherited and earned.